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Video Production
Nature of the Work
Working Conditions
Training, Qualifications, and Advancement
Employment & Earnings
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Working conditions for camera operators and editors vary considerably. Those employed by television and cable networks and advertising agencies usually work a 5-day, 40-hour week; however, they may work longer hours to meet production schedules. ENG operators often work long, irregular hours and must be available to work on short notice. Camera operators and editors working in motion picture production also may work long, irregular hours. ENG operators and those who cover major events, such as conventions or sporting events, frequently travel locally and stay overnight or travel to distant places for longer periods. Camera operators filming television programs or motion pictures may travel to film on location. |
Some camera operators—especially ENG operators covering accidents, natural disasters, civil unrest, or military conflicts—work in uncomfortable or even dangerous surroundings. Many camera operators must wait long hours in all kinds of weather for an event to take place and must stand or walk for long periods while carrying heavy equipment. ENG operators often work under strict deadlines.
Bureau of Labor Statistics, U.S. Department of Labor, Occupational Outlook Handbook, 2006-07 Edition, Television, Video, and Motion Picture Camera Operators and Editors, on the internet at http://www.bls.gov/oco/ocos091.htm (visited September 15, 2006).